From Slavoj Zizek’s “The Eclipse of Meaning: On Lacan and Deconstruction”:
This gap that forever separates the lost Thing from symbolic semblances which are never ‘that‘ defines the contours of the ethics of desire: ‘do not give way as to your desire’ can only mean ‘do not put up with any of the substitutions of the Thing, keep open the gap of desire’. In our everyday lives, we constantly fall prey to imaginary lures which promise the healing of the original/constitutive wound of symbolization, from Woman with whom full sexual relationship will be possible, to the totalitarian political ideal of a fully realized community. In contrast, the fundamental maxim of the ethics of desire is simply desire as such: one has to maintain desire in its dissatisfaction. What we have here is a kind of heroism of the lack: the aim of the psychoanalytic cure is to induce the subject to assume his constitutive lack heroically; to endure the splitting which propels desire.
From Robert Aitken and Kazuaki Tanahashi’s translation of Dogen zen-ji’s “Genjo-koan”:
When dharma does not fill your whole body and mind, you think it is already sufficient. When dharma fills your body and mind, you understand that something is missing.
Is Dogen preaching a similar heroism of the lack? This is so different from the Western Buddhism that Zizek critiques, which clings to the pseudo-Gelassenheit, “let it be” attitude, and sometimes exerts itself as the commandment to tolerate or in the liberal apology for ‘the market’. The ‘liberal pragmatic’ outlook and charge of many Western Buddhists, compared with ‘religious fanaticism’, is an ideological caricature that veils class-struggle. However, Zizek’s emphasis has been on the obfuscating qualities of this ideological veil, not too unlike Marx’s critique of ‘false consciousness’, while neglecting the revelatory dimension of such a veil, which by definition functions on account of both concealing and unconcealing.
The question to put to Zizek’s critique of Western Buddhism IS NOT what can it do for the Left, but what can it not do for itself? What is missing—not as a specific object, but in terms of the splitting and rendering asunder that propels desire? Moreover, what do popular conceptions of ‘balance’ and ‘harmony’ put in the place of this lack, this missing-something, so as to maintain a certain semblance?